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Eshte e gjate ne krahasim me femrat e tjera me floke te zeza.
Knausgaard stands about six-foot-six, and his hair and beard at age 46 are a touch grayer than they appear on the cover of book two of his My Struggle series — the fourth of six volumes that appeared in English translation last spring.
I’ve been told that I’m a laconic interlocutor and in this Knausgaard was more than my match; on the recording of our conversation, the long pauses are filled with Sinatra songs playing from the bar’s speakers.
What follows has been edited and condensed, omitting our discussion of Houellebecq and Lars von Trier (he gently scolded me for not having seen The Idiots); of his eldest daughter, who hasn’t read his books but is beginning to write herself (“She doesn’t yet know that it’s difficult”); of his recent trip to Albania and my Albanian heritage (“You must go back to Albania; it is Europe but it is not Europe”); and of the Boston bands I grew up listening to (about which he was curious — “Great bands,” he said).
Though he says the opposite, his English is excellent, but there were two words I used that he didn’t know: placid (crucial because he grew up in a placid country, but in a home that was anything but); and , which had just published his review of Michel Houellebecq’s Submission.
(Our meeting occurred before the attacks in Paris.) We walked east a few blocks and up to 44th Street for a drink at the Blue Bar of the Algonquin Hotel.